Telugu cinema enthusiasts were in for a treat with the release of Saripodhaa Sanivaaram, a commercial entertainer that marks the second collaboration between director Vivek Athreya and star Nani after the successful Ante Sundaraniki. This time, they ventured into the realm of action-packed family drama, delivering a film that has captivated audiences with its clever writing, strong performances, and engaging narrative.
The story revolves around Surya (Nani), the beloved elder son of his parents (played by Abhirami and Sai Kumar). Surya struggles with anger issues, a problem his ailing mother addresses by teaching him a unique method—he can express his anger only on Saturdays. Surya’s methodical approach to dealing with his anger sets the stage for a compelling narrative, where he faces off against the ruthless police inspector Dayanand (SJ Suryah). While Surya carefully suppresses his anger, Daya is impulsive, violent, and abuses his power, leading to an inevitable confrontation.
Nani delivers a powerful and restrained performance as Surya, a man whose internal conflict and complex relationships are portrayed with depth. His interactions with his father, elder sister, and potential love interest reveal layers of his character, making his outbursts of rage both believable and impactful.
However, it is SJ Suryah who steals the show as the villainous Daya. His portrayal of an impulsive, ego-driven inspector has earned widespread acclaim, with many fans on social media declaring that Suryah’s performance elevates the film. His dynamic presence and intense portrayal of the antagonist have left a lasting impression, making him the standout performer in the film. Saripodhaa Sanivaaram
Director Vivek Athreya’s approach to commercial cinema is refreshing. He avoids the usual tropes of mass masala films and instead focuses on detailed world-building, character development, and a well-structured plot. The film’s core theme—how anger impacts one’s life—is explored with nuance, avoiding melodrama and maintaining a balance between entertainment and substance.
Saripodhaa Sanivaaram
Athreya’s clever writing is evident in the way he introduces and weaves in elements like the concepts of Narakasuran and Yama-Chitragupta, adding layers to the story. Despite some convenient coincidences and the lack of consequences for Daya’s actions, the film’s engaging screenplay and well-rounded characters keep the audience invested.
The film’s technical team also deserves praise. Jakes Bejoy’s background score heightens the film’s dramatic moments, though the songs themselves may not be memorable. Cinematographer Murali G and editor Karthika Srinivas contribute to the film’s polished look and tight pacing, helping Saripodhaa Sanivaaram achieve its desired impact.
With Saripodhaa Sanivaaram Nani and Vivek Athreya have delivered a commercial entertainer that goes beyond the usual formula, offering a film that is both thoughtful and thrilling. SJ Suryah’s standout performance, coupled with Nani’s nuanced portrayal, makes this film a must-watch for fans of Telugu cinema. Despite a few shortcomings, the film’s strengths far outweigh its weaknesses, making it a winner at the box office.
